Ma house began as an experiment in low-cost structure. Could the cheap elements of American light-wood construction, typically used en masse to create an architecture of plywood-sheathed stud walls, be used instead to create the open frameworks associated with high-cost timber frames? And, could such a system retain the easily-learned and forgiving techniques of light-wood construction, allowing unskilled laborers, including homeowners themselves, to erect useful structures with it?

The system was developed first as a detailed section model at 1/2”=1’-0”, then as a full-scale mock-up in the intended materials. Through this process, it absorbed two other cheap, modular material systems to accomplish what wood could not: the concrete block to retain soils and shelter against heavy weather, and the Kalwall translucent panel to transmit daylight to the interior as both window and sliding screen. These three modular materials plus the open architecture they together make led us to adopt the Japanese name Ma, which means both “interval” and “void” or “open space”.

The successful development of the Ma system warranted an opportunity to use it in a simple structure. A friend, seeking to build a retreat on a small creekside property in the Catskills asked that we adapt Ma to his program and site. This led to a design for two seasonally-attuned L-shaped structures that would together form a small courtyard & water garden.

CMU walls orient south and east to absorb the sun’s warmth and to give privacy, while a linear engawa porch opens north and west to an apple orchard and to the courtyard. Summer spaces link across an outside corner to catch breeze while winter spaces hunker together at an inside corner, heated by a pellet stove. In winter, the engawa is enclosed by sliding Kalwall panels (amado), operating primarily as an insulated corridor while in summer it is left fully open, operating as a covered porch, rain or shine.